Some thoughts!

Images, independently in any media you use, are communications. Somehow you want to transfer a feeling to people, tell something. It can be ugly, beautiful, Magnificent, sensual, there exist no limitations. The important is that the picture communicates.
The first time I visited the Alps I became indeed overwhelmed by this extraordinary nature. I took loads of images on the peaks without any bigger thought’s or planning. After film development and the first contact prints I realized that the prints was not of any higher class. How can peaks over 3000 meters become so small? I will not state that I had succeeded with the transfer of what I saw and felt. Hopefully I learned something about it. Without correct light and reasonable composition it won't help if the mountains are 3000 meter or higher.

Arca Swiss F.Kamera .jpg (13388 bytes)

After many shortcomings and some new experiences, I realised that, if you can't translate the full colour three dimension world to a greyscale in two dimension before you exposure the film, it isn't easy to reach a good result.
I use the Zonesystem, in first hand in a pedagogical manner, to communicate With myself and to express my feelings for the motif to data of exposure and Development.
I make photos in colour too but the B/W pleases me more. The B/W material hasn't any limitations concerning the contrast of the motif and offers a lot of possibilities to influence the result in the darkroom. Since I started to use large format camera, the type of motif becomes fairly limited. Light and form becomes ever so important components. The different tunes of grey shall harmonize or be contrasted depending on what to tell. To achieve this you need a great deal of knowledge about the material and the process.

Färg höstlöv 7 skugga.jpg (16106 bytes)

I’m also involved in a photography workshop in Trollhättan called " The Fine Print" there we inform and educate in the entire process from visualisation to the Mounting of the Print. We hold this workshops for two reasons, initially in order to meet people with same interest and to keep B/W photography alive in a more and more digital world.
A College and I have put together an instruction book about the B/W process. Mainly as a course-literature for the workshops but we also have had a lot of Fun making it. During the progress of this book we learned a great deal, too.

Conny Nord

 

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