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Step
D
XI is the shape of a special cross section
determined by the 3D geometry.
XII, XIII, XIV show possible
scoop arangements to be determent by the violin maker.
It's the choice of the violin maker that
determines the shape of the out line.
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Step
E
Drawing an outer contour
line of both upper and lower parts the line almost forms an
equilateral triangle with the geometric layout lines that
are part of the 2D construction.
Using these "triangles" the
design becomes balanced between upper and lower part.
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Step
F
The circle through the
original square and intersection points with the "base line"
are useful to locate the corners as well as the inwardly
turned "base line" to predict the "waist line"
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