During my years at National College of Art Craft and Design, 1982-88, I constantly drawed patterns, almost like obsessed. Where ever I were and where I could, I picked up my graph paper and filled it with sketches.

1985 I worked as a design assistant for Anna Ehrner, glass designer at Kosta Boda. She tought me the sandblasting technique and I found that it was a perfect way to transfer my patterns to glass. I started with bowls and plates with underlay and tried also overlay and the graal-technique.