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Recorded Horowitz

An Index of Released & Unreleased Recordings
Prepared and Compiled by Christian Johansson

 

 

Chronological Section

 

The Recording Index on this website is an attempt to catalogue all surviving recordings of the legendary Vladimir Horowitz. The index consists of two separate sections - one by composer which I have chosed to name the Alphabetical Section, and another which lists the recordings in chronological order which is called the Chronological Section. All recordings listed in one section are naturally listed in the other as well, but in order to make the sections as user-friendly as possible there are a few differences in concept between them. I have been more generous with discographical info in the Chronological Section as such would take up a lot of space in the section by composer and thus disturb the flow and readability of the page, but on the other hand the section by composer generally has more detailed info on specific recording dates and number of takes from commercial recording sessions where several takes recorded days - sometimes months - apart were used for the commercial release of a work. This is to reduce the number of notes & references to other sessions in the chronological section to a minimum.
The index as a whole aims to be as complete as possible, but even more importantly 100% accurate & reliable, and to achieve this I have used the following template when creating the index:

-  First of all I have only included recordings I am sure exist as I have a copy myself of the recording, or know someone trustworthy who does. I have not listed any recordings based on rumours alone.

-  Material from commercial recording sessions have been catalogued through the recording logs for the sessions, and through help from people with access to the actual tapes or discs in cases when the information given in the logs has been inadequate.

-  All dates and locations are given as they are known to me through my sources or through the fruits of my research. I have not made any guesses myself, and I have decided to leave assumptions to the reader.

-  Fragments of works from rehearsals, warm-ups, private sessions and similiar have been deemed irrelevant for the discography and have not been included. Notes to a few which might be of particular interest can be found in the Appendix at the end of the page.

All commercially released recordings are written in black and have a reference to the label & catalogue number of the issue in the alphabetical section. When recordings have appeared in more than one commercial issue only one catalogue number has been quoted (there are a few overlaps though as all commercial items included in the index have been listed in completion) - generally to the best, most recent, or most accessible release. All catalogue numbers refer to a CD release unless other is stated.

Material that has never appeared in any commercial release is written in grey, and have an indication in bold text to the type of the recording. There are seven kinds of commercially unreleased recordings, a description of each follows below.

Unreleased Recordings
These are recordings which were professionally recorded by Horowitz's current record company, but which have by one reason or another not been released. The reasons for this are innumerable, but in most cases they have remained unreleased as Horowitz was dissatisfied with the recording and did not approve it for commercial release, or (especially in the early recordings) perhaps as the recording engineer was dissatisfied with the technical quality of the recording and did not approve it for release (yep, both the artist's and the engineer's approval were required before a recording could be released). Fortunately most, though not all, of these recordings are preserved in the vaults of the record company responsible for them (see the Chronological Section), and we can only hope as many of them as possible will be released in due time now when they're not controlled as tightly by Horowitz or The Horowitz Estate anymore. The best way of pushing for this is to buy Horowitz's CDs and DVDs to show that there is a public interest in Horowitz's recordings and to provide funds for further releases.

Copying and ripping commercial CDs is *NOT* to support the record companies!!

Private Recordings
Somewhere duing the winter of 1944/1945 Horowitz signed a contract with Carnegie Hall's Recording Service to record his recitals there. The recitals were recorded in completition, including encores, and pressed on LPs for Horowitz who used them to study and analyse his playing. All Horowitz's recitals in Carnegie Hall except one were recorded between March 1945 and March 1951 when RCA took over instead. These are nowadays known as the "Yale Recitals" as Horowitz donated them to Yale University during the 1980s where they are still stored. All unique repertoire these concerts contain except Balakirev's Islamey, Liszt's 2nd Legend, and two Preludes by Kabalevsky was released by RCA in the 1990s on two CDs called "The Private Collection", but the complete concerts remain unreleased and are referred to as Private Recordings in this index.

Radio Broadcasts or TV Broadcasts
These are recordings which have been recorded by radio and TV stations and are now preserved in their archives and/or on VHS or audio cassette tapes recorded from the broadcast by amateurs.

Amateur Acetates
From the 1930s and onwards it was actually possible to make private home recordings on a machine which could record a few minutes of sound on discs called acetates. These machines were very rare, did not produce recordings of any greater quality, and probably cost a fortune in their day, but a young lady in Chicago on very good terms with Horowitz, Rachmaninoff, Kreisler, Cherkassky, Toscanini and a whole horde of other artists had access to one and used to recorded them in small mini-recitals for a set of a invited friends in her living room which she liked to arrange. So far, this lady's acetates are the only known ones with Horowitz.

Pirate Recordings
A pirate recording is a recording made by some innocent looking guy in the audience armed with a microphone, secretly and illegally recording the performance. To the best of my knowledge the first recordings of this kind started to appear in the New York area during the spring of 1965 (the first known pirate with Horowitz was recorded in New Haven on November 13 1966), and then increased in number up to the early 1970s when tape recorders had become so small and so cheap that just about anyone could afford the equipment needed to tape a concert without any greater risk of being discovered. There are actually also a few video pirate recordings from the 1980s, made by someone who has managed to smuggle in a videocamera in the hall and have been brave enough to film from his seat, probably with a Bible in his free hand praying that no one will look his way.
    Pirate Recordings vary from case to case in soundquality, from "quite good" all the way down to "only barely listenable" depending on which type of microphone and taperecorder that was used, the medium the recording was preserved on (always open reel tapes or cassettes in Horowitz's case, but of variable qualities & brands), where the microphone was placed during the recording, and how far from the stage the pirate was sitting. And of course also how many generations away from the mastertape the copy one has is as all of these have been passed around in analogue formats before CD burners were available & affordable to the average person.
    A few pirate recordings have been released on CD by Music & Arts and Living Stage for instance, but most of them remain unavailable and only exist in private collections of tape collectors and fervent Horowitz enthusiasts.

Bootlegs
A bootleg is defined here as a professional recording that was made without permission from or even knowledge of Horowitz, his agent/manager, or his record company. Well, a "professional pirate recording" then so to say, though not recorded from a seat in the audience of course.

Press Tapes
During Horowitz's press conferences during the 1970s & 1980s journalists often brought a tape recorder and recorded the conference to save them from writing it down or making notes. Some of these tapes have survived and have been passed on to Horowitz enthusiasts.

 

Items with a [+] marking have been added or corrected in the latest update.

Any additions, corrections or comments to this page would be most appreciated.  Please E-mail to: Christian Johansson


Last Updated on November 10, 2003




Welte & Söhne Piano Roll Session

January or February 1926(?): M. Welte & Söhne Studios, Freiburg, Germany

  • Bach/Busoni:  Toccata, Adagio & Fugue in C major, BWV 564*
  • Bach/Busoni:  Prelude & Fugue in D major, BWV 532
  • Chopin:  Mazurka in C-sharp minor, Op.30 No.4
  • Chopin:  Mazurka in F minor, Op.63 No.2
  • Chopin:  Mazurka in C-sharp minor, Op.63 No.3
  • Chopin:  Etude in F major, Op.10 No.8
  • Chopin:  Etude in G-flat minor, Op.10 No.5
  • Horowitz:  Danse Excentrique (Moment Exotique)
  • Horowitz:  Variations on a theme from Bizet's opera Carmen    [+]
  • Liszt/Busoni:  Fantasy on two themes from Mozart's The Marriage of Figaro
  • Liszt:  Valse Oubliée No.1
  • Rachmaninoff:  Prelude in G major, Op.32 No.5
  • Rachmaninoff:  Prelude in G-sharp minor, Op.32 No.12
  • Rachmaninoff:  Prelude in G minor, Op.23 No.5
  • Schubert/Liszt:  Liebesbotschaft

        * Only the Adagio and the Fugue have been released





 

Horowitz in the Welte & Söhne Studios in Freiburg 1926 together with Karl Bockish from Welte & Söhne and an unknown man to the right.
Many thanks to Gerhard Dangel at the Augustinermuseum in Freiburg for scanning the picture.

 

Private Silent-Movie Session

1926(?): Paris Opera, France (Studio)






RCA Victor Recording Sessions

March 26, 1928: Victor Studio No.1, Camden, New Jersey (Studio)


April 2, 1928: Victor Studio No.1, Camden, New Jersey (Studio)






Aeolian Company Piano Roll Session

Between June and September 1928: Duo-Art Studios, New York City, New York






RCA Victor Recording Session

December 4, 1928: Victor Studio No.1, Camden (Studio)


January 2, 1929: Unknown location (Studio)


January 4, 1929: Unknown location (Studio)


February 25, 1930: Liederkranz Hall, New York City, New York (Studio)


March 4, 1930: Liederkranz Hall, New York City, New York (Studio)






Gramophone Company Recording Sessions [EMI]

December 29, 1930: Kingsway Hall, London, England (Studio)


December 30, 1930: Kingsway Hall, London, England (Studio)


June 12, 1931: Beethovensaal, Berlin, Germany (Studio)






Bell Laboratory Test Recording

February 5 & 6, 1932: Academy of Music, Philadelphia, Pennsylvania (Live)    [+]






Gramophone Company Recording Sessions [EMI]

November 11, 1932: Abbey Road Studio No.3, London, England (Studio)


November 12, 1932: Abbey Road Studio No.3, London, England (Studio)


November 15, 1932: Abbey Road Studio No.3, London, England (Studio)


May 29, 1933: Abbey Road Studio No.3, London, England (Studio)


Radio Broadcast: October 5, 1933: Copenhagen, Denmark (Live)


May 6, 1934: Abbey Road Studio No.3, London, England (Studio)


May 12, 1934: Abbey Road Studio No. 3, London, England (Studio)


May 29, 1934: Unknown Location (Studio)


Radio Broadcast:
October 18, 1934: Copenhagen, Denmark (Live)


Radio Broadcast: March 17, 1935: Carnegie Hall, New York City, New York (Live)


June 2, 1935: Abbey Road Studio No.3, London, England (Studio)


June 4, 1935: Abbey Road Studio No.3, London, England (Studio)


June 6, 1935: Unknown location (Studio)


Radio Broadcast:
February, 20, 1936: Concertgebouw, Amsterdam, The Netherlands (Live)


March 9, 1936: Abbey Road Studio No.3, London, England (Studio)






RCA Victor Recording Sessions

Radio Broadcast: August 29, 1939: Lucerne, Switzerland (Live)


Radio Broadcast:
March 31, 1940: Carnegie Hall, New York City
, New York (Live)


May 6, 1940: Carnegie Hall, New York City, New York (Live)    [+]


Radio Broadcast: May 6, 1940: Carnegie Hall, New York City, New York (Live)


May 9, 1940: Carnegie Hall, New York City, New York (Studio)


Radio Broadcast: April 19, 1941: Carnegie Hall, New York City, New York (Live)


Radio Broadcast: May 4, 1941: Carnegie Hall, New York City
, New York (Live)


May 6, 1941: Carnegie Hall, New York City, New York (Studio)


May 14, 1941: Carnegie Hall, New York City, New York (Studio)


Radio Broadcast: January 30, 1942: Carnegie Hall, New York City, New York (Live)


August 27, 1942: Hollywood Recording Studio, California (Studio)


September 10, 1942: Hollywood Recording Studio, California (Studio)


September 29, 1942: Hollywood Recording Studio, California (Studio)


October 9, 1942: Unknown location (Studio)


April 25, 1943: Carnegie Hall, New York City
, New York (Live)


Professional Bootleg: Probably November 25 or 26, 1943: Carnegie Hall, New York City, New York (Live)


December 23, 1944: Hunter College Auditorium, New York City
, New York (Studio)


Private Recording: March 28, 1945: Carnegie Hall, New York City, New York (Live)


May 6, 1945: Unknown Location (Studio)


September 22, 1945: Hunter College Auditorium, New York City, New York (Studio)


September 23, 1945: Hunter College Auditorium, New York City, New York (Studio)


October 6, 1945: Hunter College Auditorium, New York City, New York (Studio)


Private Recording: March 4, 1946: Carnegie Hall, New York City, New York (Live)


Private Recording: April 6, 1946: Carnegie Hall, New York City, New York (Live)


Private Recording: April 24, 1946: Carnegie Hall, New York City, New York (Live)


October 24, 1946: Town Hall, New York City, New York (Studio)


October 25, 1946: Town Hall, New York City
, New York (Studio)


October 28, 1946: Town Hall, New York City, New York (Studio)


October 29, 1946: Town Hall, New York City
, New York (Studio)


November 21, 1946: Town Hall, New York City
, New York (Studio)


November 22, 1946: Town Hall, New York City
, New York (Studio)


November 26, 1946: Town Hall, New York City
, New York (Studio)


November 27, 1946: Town Hall, New York City
, New York (Studio)


November 29, 1946: Town Hall, New York City
, New York (Studio)


Private Recording: February 3, 1947: Carnegie Hall, New York City, New York (Live)


Private Recording: March 28, 1947: Carnegie Hall, New York City, New York (Live)


Private Recording: April 28, 1947: Carnegie Hall, New York City, New York (Live)


May 15, 1947: Town Hall(?), New York City, New York (Studio)


May 16, 1947: Town Hall, New York City
, New York (Studio)


May 19, 1947: Town Hall, New York City
, New York (Studio)


September 4, 1947: Unknown Location (Studio)


September 6, 1947: Republic Studios, Hollywood, Los Angeles, California (Studio)


November 6, 1947: Town Hall, New York City
, New York (Studio)


November 7, 1947: Town Hall, New York City
, New York (Studio)


November 21, 1947:  Town Hall, New York City
, New York (Studio)


December 22, 1947: Town Hall, New York City
, New York (Studio)


Private Recording: February 2, 1948: Carnegie Hall, New York City, New York (Live)


Private Recording: April 2, 1948: Carnegie Hall, New York City, New York (Live)


Private Recording(?)*: April 8 or 9, 1948: Carnegie Hall, New York City, New York (Live)


Radio Broadcast: April 11, 1948: Carnegie Hall, New York City, New York (Live)


Radio Broadcast: October 23, 1948: NBC Studio 8-H (Radio City), New York City, New York (Live)


Private Recording: January 17, 1949: Carnegie Hall, New York City, New York (Live)


Private Recording: February 21, 1949: Carnegie Hall, New York City, New York (Live)


Private Recording: March 21, 1949: Carnegie Hall, New York City, New York (Live)


May 9, 1949: Town Hall, New York City
, New York (Studio)


May 11, 1949: Town Hall, New York City
, New York (Studio)


May 13, 1949: Town Hall(?), New York City, New York (Studio)


July 22
, 1949: Unknown Location (Studio)


Radio Broadcast:
August 2, 1949: Hollywood Bowl, California (Live)


December 23, 1949: Town Hall, New York City, New York (Studio)


December 28, 1949: Town Hall, New York City, New York (Studio)


December 30, 1949: Town Hall, New York City
, New York (Studio)


Private Recording:
January 23, 1950: Carnegie Hall, New York City, New York (Live)


Private Recording: March 20, 1950: Carnegie Hall, New York City, New York (Live)


Private Recording: April 24, 1950: Carnegie Hall, New York City, New York (Live)


May 10, 1950: Town Hall, New York City,
New York (Studio)


May 13, 1950: Town Hall, New York City
, New York (Studio)


May 15, 1950: Town Hall, New York City
, New York (Studio)


May 17, 1950: Town Hall, New York City
, New York (Studio)


June 22, 1950: RCA Studio No.2, New York City
, New York (Studio)


June 29, 1950: RCA Studio No.2, New York City
, New York (Studio)

  • Brahms:  Fourth movement from Violin Sonata No.3 in D minor, Op.108*
        - Nathan Milstein, violin


        * The first half was not used for commercial release


Radio Broadcast:
August 31, 1950: Hollywood Bowl, California (Live)

  • Rachmaninoff:  Piano Concerto No.3 in D minor, Op.30
       
    - Sergei Koussevitzky/Hollywood Bowl Orchestra

Horowitz during recording with Nathan Milstein

October 9, 1950: Town Hall(?), New York City, New York (Studio)


October 10, 1950: Town Hall, New York City
, New York (Studio)


October 13, 1950: Unknown Location (Studio)


Radio Broadcast:
December 9, 1950: Mormon Tabernacle, Salt Lake City, Utah (Live)


December 27, 1950: Hunter College Auditorium, New York City, New York (Studio)


December 29, 1950: Hunter College Auditorium, New York City, New York (Studio)


1951 "Guest Star" Radio Broadcast (Studio)    [+]


February 12, 1951: Hunter College Auditorium(??), New York City, New York (Studio)


March 5, 1951: Carnegie Hall, New York City, New York (Live)


Private Recording:
March 5, 1951: Carnegie Hall, New York City, New York (Live)


April 23, 1951: Carnegie Hall, New York City, New York (Live)


Radio Broadcast: April 23, 1951: Carnegie Hall, New York City, New York (Live)


April 28, 1951: Hunter College Auditorium, New York City, New York (Studio)


April 29, 1951: Hunter College Auditorium, New York City, New York (Studio)


May 8, 1951: Carnegie Hall, New York City, New York (Studio)


May 10, 1951: Carnegie Hall, New York City, New York (Studio)






Grammophone Company Recording Session [EMI]

October 11, 1951: Abbey Road Studio No.?, London, England (Studio)


October 21, 1951: Abbey Road Studio No.?, London, England(?) (Studio)





RCA Victor Recording Sessions

January 5, 1952: Hunter College Auditorium, New York City, New York (Studio)


April 26, 1952: Carnegie Hall, New York City, New York (Studio)


May 8, 1952: Manhattan Center, New York City, New York (Studio)


December 29, 1952: Carnegie Hall, New York City, New York (Studio)


January 4, 1953: Carnegie Hall, New York City, New York (Studio)


January 12, 1953: Carnegie Hall, New York City, New York (Live)

- There are some question marks about the origin of this recording. It is listed in RCA's recording logs and should therefore have been taped by them, but last someone looked for it it wasn't in their archives. Furthermore Harold C. Schonberg claimed that Horowitz's producer at the time, John ("Jack") Pfeiffer, first heard this recording through a tape that was in circulation at the time among collectors and immediately wanted to release THAT under RCA (but couldn't as Szell was under contract with Columbia). Surely his team at RCA couldn't have recorded this without his knowledge.
Another rumour is that it was Columbia who taped the concert, but they claim they don't know anything about that, and rightly so if they did as they in that case recorded it without the knowledge of RCA which Horowitz had an exclusive contract with at the time of the recording.

Due to the excellent sound of the recording I strongly doubt it was recorded privately on reel tape from a radio broadcast, but even apart from Schonberg's Pfeiffer story above there are shreds of evidence supporting that it is a possiblity. The Orchestra, the NY Philharmonic, was under contract with the Canadian Broadcasting Corporation (CBC) that season and had right to broadcast their concerts, and they probably wouldn't have liked to miss an occassion where the perhaps world's most celebrated soloist at the time appeared with them, and to privately record from the radio was not impossible at all even as early as 1953. If they did record & preserve the performance another possibility is that someone working at CBC smuggled out a tape of their uncompressed archive tape, and that's what reached circulation, appeared on private LP pressings, and eventually on CD through small pirate labels. If this is so however, the archive tape is not in their vaults anymore as it seems. *sigh*

YET another possibility is that this is in fact one of the first pirate recordings made. In the early 1940s Carnegie Hall opened a recording service for the artists playing there (which Horowitz used between 1945 and 1951, producing the so called "Yale Recitals") and - I don't say this is what happened, but it is a possibility - it's not unlikely that a private person with a wallet large enough could persuade them to turn on the microphones without both Horowitz's & RCA's knowledge and then press a one ex LP of the performance. I have not heard of any bootlegging of this kind from as early as 1953, but it is known to have happened frequently in numerous halls from the 70s and onwards (to take just one example with Horowitz, Minneapolis 1976) and there's really no reason as I see it why it couldn't have happened during the 1950s as well.

Well in a nutshell then, it's a damn troublesome recording for a discographer who naturally have to know everything about every recording. =)
The facts are presented above, if I may now make an "educated guess" of my own based on what we know I would say that this recording was taped by RCA and leaked out to a number of collectors either through the recording engineer or Jack Pfeiffer himself, who in that case probably made up the story he told Schonberg to cover his blunder of having put it in circulation among "outsiders". If this is the case, the reason why the tape of the concert wasn't found in their archives when Jon Samuels prepared his discography probably has a simple explanation too. RCA totally organised and inventored their vaults in 1996-1997, but before that they had been in a terrible disarray ever since the 1940s. When preparing the set "The Horowitz Collection" for instance they often had to work from copies as the masters couldn't be found, and in some cases they even used, or had to use, alternate takes as the approved take either was mislabeled or misplaced. It is therefore not unlikely at all that the recording WAS there, but not where it was supposed to be. 


February 25, 1953: Carnegie Hall, New York City, New York (Live)


October 16 & 21, 1954: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)


January 1955*: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)


May 10, 1956: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)


May 11, 1956: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)


June 5, 1956: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)


Fall 1956: Unknown Location* (Studio)


October 1956: Unknown Location (Studio)


January 2, 1957: Unknown Location (Studio)


January 4, 1957: Unknown Location (Studio)


January 15, 1957: Hunter College Auditorium, New York City
, New York (Studio)


February 19, 1957: Unknown Location (Studio)


February 23, 1957: Carnegie Hall, New York City, New York (Studio)


April 11, 1957: Unknown Location (Studio)


May 14, 1957: Carnegie Hall, New York City, New York (Studio)


May 14, 18 & 25, 1959*: Carnegie Hall, New York City, New York (Studio)


May 29 & June 10, 1959: Carnegie Hall, New York City, New York (Studio)






Columbia Recording Sessions [Sony]

April 18 & 24 and May 9 & 14, 1962: CBS 30th Street Studio, New York City, New York (Studio)


November 6, 13, 29, December 6, 13 & 18, 1962: CBS 30th Street Studio, New York City, New York (Studio)


June 4, 1963: CBS 30th Street Studio(?), New York City, New York (Studio)


June 17, 1963: Unknown Location (Studio)


July 8, 1963: Unknown Location (Studio)


September 16, 1963: CBS 30th Street Studio(?), New York City, New York (Studio)


September 16 & 23, 1963: CBS 30th Street Studio(?), New York City
, New York (Studio)


September 23, 1963: CBS 30th Street Studio(?), New York City, New York (Studio)


October 7, 1963: Unknown Location (Studio)


October 24, 1963: Unknown Location (Studio)


November 4, 1963: CBS 30th Street Studio, New York City, New York (Studio)


November 14, 1963: CBS 30th Street Studio, New York City, New York (Studio)


April 23, May 4 & 18, June 4 and September 24 & 28, 1964: CBS 30th Street Studio, New York City, New York (Studio)


October 15, 1964: Unknown Location (Studio)


1965: Horowitz's Home (14 East 94th Street), New York City, New York


January 7, 1965: Carnegie Hall, New York City, New York (Studio)


January 13, 1965: Unknown Location (Studio)


January 26, 1965: Unknown Location (Studio)


April 7, 1965: Carnegie Hall, New York City, New York (Studio) [Rehearsal]


April 14, 1965: Unknown Location (Studio)


May 9, 1965: Carnegie Hall, New York City, New York (Live)


April 5, 1966: Carnegie Hall, New York City, New York (Studio) [Rehearsal]


April 17, 1966: Carnegie Hall, New York City, New York (Live)*


November 13, 1966: Woolsey Hall (Yale University), New Haven, Connecticut (Live)


Pirate Recording: November 13, 1966: Woolsey Hall (Yale University), New Haven, Connecticut (Live)


November 27, 1966: Carnegie Hall, New York City, New York (Live)


Pirate Recording: November 27, 1966: Carnegie Hall, New York City, New York (Live)


December 10, 1966: Carnegie Hall, New York City, New York (Live)


Pirate Recording: December 10, 1966: Carnegie Hall, New York City, New York (Live)


October 22, 1967: Colden Center (Queens College), New York City, New York (Live)


Pirate Recording: October 22, 1967: Colden Center (Queens College), New York City, New York (Live)


November 12, 1967: Whitman Auditorium (Brooklyn College), New York City, New York (Live)


Pirate Recording: November 12, 1967: Whitman Auditorium (Brooklyn College), New York City, New York (Live)


November 26, 1967: Carnegie Hall, New York City, New York (Live)


Pirate Recording: November 26, 1967: Carnegie Hall, New York City, New York (Live)


December 10, 1967: Constitution Hall(?), Washington D.C. (Live)


Audio: January 2, 3 and/or February 1, 1968: Carnegie Hall, New York City, New York (Live)

  • Chopin:  Polonaise in F-sharp minor, Op.44
  • Chopin:  Nocturne in F minor, Op.55 No.1
  • Chopin:  Ballade No.1 in G major, Op.23
  • Scarlatti:  Sonata in E major, K.380 (L.23)
  • Scarlatti:  Sonata in G major, K.55 (L.335)
  • Schumann:  Arabeske, Op.18
  • Scriabin:  Etude in D-sharp minor, Op.8 No.12

    Encores:
  • Schumann:  Träumerei, Op.15 No.7
  • Horowitz:  Variations on a theme from Bizet's opera Carmen


Video
: January 2 and/or February 1, 1968: Carnegie Hall, New York City, New York (Live)

  • Chopin:  Polonaise in F-sharp minor, Op.44
  • Chopin:  Nocturne in F minor, Op.55 No.1
  • Chopin:  Ballade No.1 in G minor, Op.23
  • Scarlatti:  Sonata in E major, K.380
  • Scarlatti:  Sonata in G major, K.55
  • Schumann:  Arabeske, Op.18
  • Scriabin:  Etude in D-sharp minor, Op.8 No.12

    Encores:
  • Schumann:  Träumerei, Op.15 No.7
  • Horowitz:  Variations on a theme from Bizet's opera Carmen

 

The video portion of Horowitz's TV concert in 1968 was shot live in Carnegie Hall on January 2 & February 1, 1968 for a specially invited audience. The final product was broadcast later the same year, on September 22 (and again on December 25). The rights to the film are currently owned by Classart Video Productions.

April 7, 1968: Symphony Hall, Boston, Massachusetts* (Live)


May 12, 1968: Orchestra Hall, Chicago, Illinois (Live)


Pirate Recording: May 12, 1968: Orchestra Hall, Chicago, Illinois (Live)


Pirate Recording: May 12 or 19, 1968: Orchestra Hall, Chicago, Illinois (Live)


Pirate Recording:
May 19, 1968: Orchestra Hall, Chicago, Illinois (Live)


November 3, 1968: Woolsey Hall (Yale University), New Haven, Connecticut (Live)


November 17, 1968: Brooklyn College, New York City, New York (Live)


November 24, 1968: Carnegie Hall, New York City, New York (Live)


Pirate Recording: November 24, 1968: Carnegie Hall, New York City, New York (Live)


December 1, 1968: Acadamy of Music, Philadelphia, Pennsylvania (Live)


Pirate Recording: December 1, 1968: Acadamy of Music, Philadelphia, Pennsylvania (Live)


December 15, 1968: Carnegie Hall, New York City, New York* (Live)


Pirate Recording: December 15, 1968: Carnegie Hall, New York City, New York (Live)


February 5 & 14, 1969: CBS 30th Street Studio, New York City, New York (Studio)


June 12, 1969: CBS 30th Street Studio, New York City, New York (Studio)


Pirate Recording: October 26, 1969: Symphony Hall, Boston, Massachusetts (Live)    [+]


December 1, 1969: CBS 30th Street Studio, New York City, New York (Studio)


April 14 & May 4, 1971: CBS 30th Street Studio, New York City, New York (Studio)


Private Tape: July 21, 1971: Horowitz's Home (14 East 94th Street), New York City, New York


April 20, 27 & May 4, 1972: CBS 30th Street Studio, New York City, New York (Studio)


May 31, 1972: CBS 30th Street Studio, New York City, New York (Studio)


July 6, 1972: CBS 30th Street Studio, New York City, New York (Studio)


October 25 & 30, 1972: CBS 30th Street Studio(?), New York City, New York (Studio)


December 20, 1972: CBS 30th Street Studio(?), New York City
, New York (Studio)


January 10 & 24, 1973: CBS 30th Street Studio(?), New York City
, New York (Studio)


February 8 & 15, 1973: CBS 30th Street Studio, New York City, New York (Studio)


Video:
1974: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)






[No Record Company]

Radio Broadcast & Press Tape*: May 10, 1974: Cleveland, Ohio    [+]


Pirate Recording: May 12, 1974: Severance Hall, Cleveland, Ohio (Live)


Press Tape:
October 24 or 25, 1
974: Drake Hotel, Chicago, Illinois


Pirate Recording: October 27, 1974: Chicago, Illinois (Live)


Pirate Recording:
November 3, 1974: Chicago, Illinois (Live)


Pirate Recording:
November 17, 1974: Metropolitan Opera House, New York City, New York (Live)


Pirate Recording:
April 20, 1975: Ann Arbor, Michigan (Live)
    [+]


Radio Broadcast (CBC, "Encore"): April 30, 1975: 14 East 94th Street (Horowitz's Home), New York City, New York    [+]


Radio Broadcast: Probably May 1975 in Columbus, Ohio


Pirate Recording: May 18, 1975: Mershon Auditorium (Ohio State University), Columbus, Ohio (Live)






RCA Victor Recording Sessions

Pirate Recording: October 26, 1975: Indiana University Auditorium, Bloomington, Indiana (Live)


Pirate Recording: November 2, 1975: Orchestra Hall, Chicago, Illinois (Live)


November 16, 1975: Carnegie Hall, New York City, New York (Live)    [+]


Pirate Recording: November 16, 1975: Carnegie Hall, New York City, New York (Live)


Pirate Recording: November 23, 1975: Carnegie Hall, New York City, New York (Live)


Pirate Recording:
February 1, 1976: Portland, Oregon (Live)
    [+]


February 14 & 15, 1976: Paramount Theatre, Oakland, California and February 22, 28, & 29, 1976: Ambassador College, Pasadena, California (Live)


Pirate Recording:
February 15, 1976: Paramount Theatre, Oakland, California (Live)


Radio Broadcast: February 19, 1976: Ambassador College, Pasadena, California


Pirate Recording: February 22, 1976: Ambassador College, Pasadena, California (Live)


Pirate Recording: February 29, 1976: Ambassador College, Pasadena, California (Live)


Professional Bootleg: April 4, 1976: Minneapolis, Minnesota (Live)


Pirate Recording: April 11, 1976: Hill Auditorium (University of Michigan), Ann Arbor, Michigan (Live)


Pirate Recording:
May 9, 1976: Massey Hall, Toronto, Canada (Live)






Columbia Recording Session [Sony]

May 18, 1976: Carnegie Hall, New York City, New York (Live)






RCA Victor Recording Sessions

Pirate Recording: October 31, 1976: Severance Hall, Cleveland, Ohio (Live)


Pirate Recording: November 14, 1976: Boston, Massachusetts (Live)


November 21, 1976: Powell Hall, St. Louis, Missouri (Live)


Pirate Recording: November 28, 1976: Jones Hall, Houston, Texas (Live)


1977: Dallas, Texas


Pirate Recording: March 13, 1977: War Memorial Opera House, San Francisco, California (Live)    [+]


Pirate Recording: April 10, 1977: Milwaukee, Wisconsin (Live)


Pirate Recording: April 24, 1977: Buffalo, New York (Live)


May 7, 1977: East Lansing, Michigan


Pirate Recording: May 8, 1977: East Lansing, Michigan (Live)


June 24, 1977: RCA Studio A, New York City
, New York (Studio)


September 9, 1977: RCA Studio A, New York City
, New York (Studio)


Pirate Recording: October 9, 1977: Hill Auditorium (University of Michigan), Ann Arbor, Michigan (Live)


Pirate Recording:
October 10, 1977: University of Michigan, Ann Arbor, Michigan (Live)


Pirate Recording:
October 16, 1977: Toronto, Canada (Live)


Press Tape:
November 8, 1
977: Lake Shore Drive Hotel, Chicago, Illinois


Video: December 26, 1977: Horowitz's Home (14 East 94th Street), New York City, New York


January 8, 1978: Carnegie Hall, New York City, New York (Live)


Pirate Recording: January 8, 1978: Carnegie Hall, New York City, New York (Live)


Pirate Recording
: February 5, 1978: Los Angeles, California (Live)


Pirate Recording: February 12, 1978: San Francisco Opera House, California (Live)


February 25, 1978: The White House, Washington D.C. (Rehearsal)


Audio & Video:
February 26, 1978: The White House, Washington D.C. (Live)


Pirate Recording:
March 12, 1978: Carnegie Hall, New York City, New York (Live)


Pirate Recording: March 19, 1978: Carnegie Hall, New York City, New York (Live)


Pirate Recording: March 26, 1978: Academy of Music, Philadelphia, Pennsylvania (Live)    [+]


Pirate Recording: April 16, 1978: Academy of Music, Philadelphia, Pennsylvania (Live)


Pirate Recording: April 30, 1978: Hill Auditorium (University of Michigan), Ann Arbor, Michigan (Live)


Pirate Recording: May 7, 1978: Carnegie Hall, New York City, New York (Live)


Private Tape: ca. May 14, 1978: Horowitz's Home (14 East 94th Street), New York City, New York


September 24, 1978: Avery Fisher Hall, New York City, New York (Live)


Radio Broadcast:
September 24, 1978: Avery Fisher Hall, New York City, New York (Live)


Pirate Recording: October 8, 1978: Hill Auditorium (University of Michigan), Ann Arbor, Michigan (Live)


Pirate Recording:
November 19, 1978: Boston, Massachusetts (Live)


April 7, 8 & 15, 1979: Orchestra Hall, Chicago, Illinois and April 22, 1979: Constitution Hall, Washington D.C. (Live)


Pirate Recording:
April 8, 1979: Orchestra Hall, Chicago, Illinois (Live)


Pirate Recording:
April 15, 1979: Orchestra Hall, Chicago, Illinois (Live)


Pirate Recording:
April 22, 1979: Constitution Hall, Washington D.C (Live)


Pirate Recording:
May 6, 1979: Avery Fisher Hall, New York City, New York (Live)


Pirate Recording:
May 13, 1979: Avery Fisher Hall, New York City, New York (Live)


Pirate Recording:
May 20, 1979: Minneapolis, Minnesota (Live)


November 1979: Unknown Location


Pirate Recording: November 4, 1979: Massey Hall, Toronto, Canada (Live)

* Ca. 20 seconds missing in the beginning.


Pirate Recording: February 24, 1980: San Francisco, California (Live)


April 13, 1980: Symphony Hall, Boston, Massachusetts and May 2, 4 & 11, 1980: Avery Fisher Hall, New York City, New York (Live)


Pirate Recording: May 4, 1980: Avery Fisher Hall, New York City, New York (Live)


Pirate Recording: May 11, 1980: Avery Fisher Hall, New York City, New York (Live)


Radio Broadcast: Summer of 1980: Connecticut


Pirate Recording: November 9, 1980: Hill Auditorium (University of Michigan), Ann Arbor, Michigan (Live)


Pirate Recording: November 16, 1980: Eastman Theatre, Rochester, New York (Live)


Pirate Recording: November 30, 1980: Woolsey Hall (Yale University), New Haven, Connecticut (Live)


October 25, 1981: Orchestra Hall, Minneapolis* & November 1, 1981: Metropolitan Opera House, New York City, New York (Live)


Pirate Recording: November 1, 1981: Metropolitan Opera House, New York City, New York (Live)


Pirate Recording: November 15, 1981: Boston, Massachusetts (Live)


Video: April(?) 1982: Horowitz's Home (14 East 94th Street), New York City, New York


May 18, 20 & 22, 1982: Royal Festival Hall, London, England (Live)


Radio Broadcast (Unedited):
May 22, 1982: Royal Festival Hall, London, England (Live)


Video:
May 22, 1982: Royal Festival Hall, London, England (Live)


Pirate Recording:
May 29, 1982: Royal Festival Hall, London, England (Live)


Pirate Recording:
March 20, 1983: Academy of Music, Philadelphia, Pennsylvania (Live)


Pirate Recording:
April 16, 1983: Orchestra Hall, Chicago, Illinois (Live)


Pirate Recording:
April 24, 1983: Boston, Massachusetts (Live)


Pirate Recording:
May 15, 1983: Metropolitan Opera House, New York City, New York (Live)


Pirate Recording:
May 22, 1983: Ambassador College, Pasadena, California (Live)


Video:
June 11, 1983: NHK Hall, Tokyo, Japan (Live)


Pirate Recording:
June 16, 1983: NHK Hall, Tokyo, Japan (Live)






Deutsche Grammophon Recording Sessions

November 24, 1984: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)


Audio & Video:
April 19-30, 1985: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)

  • Bach/Busoni:  Nun komm' der Heiden Heiland (Choral Prelude)
  • Mozart:  Sonata in C major, K.330
  • Chopin:  Mazurka in A minor, Op. 17 No.4
  • Chopin:  Scherzo No.1 in B minor, Op.20
  • Schubert:  Impromptu in A-flat major, Op.90 No.4
  • Liszt:  Consolation No.3 in D-flat major
  • Schumann:  Novellette in F major, Op.21 No.1
  • Rachmaninoff:  Prelude in G-sharp minor, Op.32 No.12
  • Scriabin:  Etude in C-sharp minor, Op.2 No.1
  • Chopin:  Polonaise in A-flat major, Op.53
  • Moszkowski:  Etude in F major, Op.72 No.6 (Two performances)    [+]
  • Chopin:  Etude in G-flat major, Op.10 No.5 (Black Key)    [+]
  • Liszt:  Au bord d'une source    [+]

    Excerpts:
  • Liszt:  Au bord d'une source    [+]
  • Mozart:  Rondo alla Turca    [+]
  • Rachmaninoff:  Polka de W.R.    [+]
  • Horowitz:  Variations on a theme from Bizet's opera Carmen    [+]


September & October 1985: RCA Studio A, New York City, New York (Studio)

  • Scarlatti:  Sonata in B minor, K.87 (L.33)
  • Scarlatti:  Sonata in E major, K.135 (L.224)
  • Schumann:  Kreisleriana, Op.16
  • Schubert:  Impromptu in B-flat major, Op.142 No.3
  • Liszt:  Impromptu (Nocturne) in F-sharp major
  • Scriabin:  Etude in D-sharp minor, Op.8 No.12
  • Schubert/Tausig/Horowitz:  Marche Militaire in D-flat major, Op.51 No.1
  • Liszt:  Valse Oubilée No.1


Pirate Recording: October 26, 1985: Théâtre des Champs-Elysées, Paris, France (Live)

  • Scarlatti:  Sonata in B minor, K.87
  • Scarlatti:  Sonata in E major, K.135
  • Schumann:  Kreisleriana, Op.16
  • Scriabin:  Etude in C-sharp minor, Op.2 No.1
  • Scriabin:  Etude in D-sharp minor, Op.8 No.12
     
  • Schubert:  Impromptu in B-flat major, Op.142 No.3
  • Liszt:  Consolation No.3 in D-flat major
  • Liszt:  Impromptu (Nocturne) in F-sharp major
  • Liszt:  Valse Oubliée No.1
  • Chopin:  Mazurka in C-sharp minor, Op.63 No.3
  • Chopin:  Mazurka in F minor, Op.7 No.3
  • Chopin:  Polonaise in A-flat major, Op.53

    Encores:
  • Schumann:  Träumerei, Op.15 No.7
  • Moszkowski:  Etude in F major, Op.72 No.6

Wanda & Vladimir Horowitz talking to Peter Gelb during the recording of the film "The Last Romantic". Picture taken in April 1985 in Horowitz's living room

 

 

 

 

 

 

 

Pirate Recording: November 2, 1985: Théâtre des Champs-Elysées, Paris, France (Live)


Professional Bootleg:
November 17, 1985: La Scala Opera House, Milan, Italy (Live)


Video:
November 17, 1985: La Scala Opera House, Milan, Italy (Live)


Professional Bootleg:
November 24, 1985: La Scala Opera House, Milan, Italy (Live)


Pirate Recording:
December 15, 1985: Carnegie Hall, New York City, New York (Live)


February & March 1986: RCA Studio A, New York City, New York (Studio)


Video: April 1986: Tchaikovsky's House, Russia (Semi-private studio session)

Horowitz playing on Tchaikovsky's piano
In the background are among others Mikhail Pletnev, Tom Frost and Wanda Toscanini-Horowitz


Audio:
April 15, 1986: Scriabin Museum, Moscow, Russia (Semi-private studio session)


Video:
April 15, 1986: Scriabin Museum, Moscow, Russia (Semi-private studio session)


Video: April 15, 1986: Moscow, Russia


Video: April 18, 1986: Tchaikovsky Hall (Moscow Conservatory), Moscow, Russia (Live)


Audio & Video:
April 18 & 20, 1986: Tchaikovsky Hall (Moscow Conservatory), Moscow, Russia (Live)


Radio Broadcast (Unedited):
April 20, 1986: Tchaikovsky Hall (Moscow Conservatory), Moscow, Russia (Live)


Pirate Recording: April 27, 1986: Winter Palace, Leningrad (St. Petersburg), Russia (Live)


Pirate Recording: May 11, 1986: Musikhalle, Hamburg, Germany (Live)


Radio Broadcast: May 18, 1986: Philharmonie, Berlin, Germany (Live)    [+]


Pirate Recording: June 21, 1986: Hitomi Memorial Auditorium (Showa Women's University), Tokyo, Japan (Live)


Radio Broadcast: June 28, 1986: Hitomi Memorial Auditorium (Showa Women's University), Tokyo, Japan (Live)    [+]


Pirate Recording: July 6, 1986: Hitomi Memorial Auditorium (Showa Women's University), Tokyo, Japan (Live)


Pirate Video Recording: July 6, 1986: Hitomi Memorial Auditorium (Showa Women's University), Tokyo, Japan (Live)


October 5, 1986: The White House, Washington D.C. (Live)


Professional Video Tape:
October 5, 1986: The White House, Washington D.C. (Live)


Pirate Recording: October 19, 1986: Symphony Hall, Boston, Massachusetts (Live)


October 25, 1986: Chicago, Illinois


Pirate Recording: October 25, 1986: Orchestra Hall, Chicago, Illinois (Rehearsal)


Radio Broadcast: October 26, 1986: Orchestra Hall, Chicago, Illinois (Live)


Pirate Recording
: November 16, 1986: Alte Oper, Frankfurt, Germany (Live)    [+]


Video: March 1987: Abanella Studio, Milan, Italy (Rehearsal)


March 1987: Abanella Studio, Milan, Italy (Studio)


Pirate Recording: May 24, 1987: Concertgebouw, Amsterdam, The Netherlands (Live)


Video: May 31, 1987: Musikverein, Vienna, Austria (Live)


Pirate Recording: May 31, 1987: Musikverein, Vienna, Austria (Live)


Radio Broadcast: June 21, 1987: Musikhalle, Hamburg, Germany (Live)    [+]

* Only the last four or five minutes from the finale have been released, the complete sonata remains unreleased.


June 24, 1988: New York City, New York (Studio)    [+]

* This Rondo has been released by DG in a version with parts from both the June 24, 1988 & the January 16, 1989 recordings.


December 1988 through February 1989: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)

* This Rondo has been released by DG in a version with parts from both the June 24, 1988 & the January 16, 1989 recordings.






Sony Classical Recording Session

October & November 1989: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)

 

 


 

 

Date of recording unknown

Amateur Acetates: Recorded somewhere in the late 1940s or early 1950s in the home of a friend of Horowitz's in Chicago, Illinois

- Note: There are many more acetates with Horowitz from this collection but so far these four recordings are all I can defend in a discography. According to their labels the rest of the acetates contain more solo repertoire, some chamber music performances where Horowitz took part, and also a couple of discs of Horowitz improvising and just having fun at the piano. Many of these acetates were recorded in small privately arranged mini-recitals in the living room, and we know for sure that the Mozart Sonata listed above was recorded on such an occassion as part of the applause have been preserved on the disc.

 

Professional studio recording, made by DG or Sony during a session in the late 1980s (Studio)

 

 


 

 

Documentaries & People talking about Horowitz

 

 

 


 

Please note

There are many unreleased commercial recordings made between 1966 & 1989 that are yet to be catalogized, and there are probably also more pirate recordings hiding in music enthusiasts' private collections that I have not found yet or that have never been in circulation among collectors. An index as this one will never be entirely complete, it can't be, but I will do my best to update it as soon as I find or get info for new recordings to make it as complete, reliable and up to date as possible.

 

 


 

Appendix

Notes for collectors on non-commercial items


Apart from the 90 or so pirate recordings listed above I am also aware of the following ones, but can't give any further info on them as I haven't managed to locate copies myself yet.


If you should have any of these in your collection, please contact me.
There may also be a pirate recording of a recital in San Francisco from February 19, 1978 - if there was such a recital at all. My own guess is that this is the Feb.12 1978 recital under a false name.
I'm pretty sure all surviving broadcasts with Horowitz are incorporated in the index already though, but would of course only be happy if someone could prove I'm wrong. =)

 

On top of the videos included in the index above with Horowitz there are also various videoclips from the 1980s which were taped by enthusiasts from the local news and various similiar shows which has new material. All I have come accross only contain brief excerpts however, and that's the reason I decided not to include them in the recordingindex. There is said to have been a newsbroadcast on TV in the states in the late 1970s which contained the complete Black-Key Etude by Chopin though, but it does not seem to have been taped and I have not been able to find out whether a copy was preserved in the TV station's archive.
    Below is a list of these newsbroadcasts and similiar which I have come accross. Not very important for the discography, but perhaps of interest for the serious collector, fervent enthusiast, or scholar.

 

 

VH#75. Video (TV Broadcast: CBS Morning News): November 1985 – covering his recording of The Last Romantic film

 

 

VH#78. Video (TV Broadcast: News Footage): December 1985 – about his Carnegie Hall recital on December 15, 1985

 

 

VH#73. Video (TV Broadcast: News Footage): April 19(?), 1986 – about Horowitz’s Moscow recital on April 20

 

 

VH#112. Video (TV Broadcast: CBS Evening News: Susan Spencer, newsreader): April 20, 1986

 

 

VH#113. Video (TV Broadcast: ABC News, Washington: Sam Donaldsson, newsreader): April 21(?), 1986

 

 

VH#114. Video (TV Broadcast: News Footage): Shortly after October 5, 1986

 

 

VH#115. Video (TV Broadcast: News Footage): Shortly after October 5, 1986

 

 

VH#117. Video (TV Broadcast: News Footage): Shortly after October 5, 1986

 

 

VH#118. Video (TV Broadcast: News Footage): Shortly after October 5, 1986

 

 

VH#119. Video (TV Broadcast: CNN "Daybreak": Bryan Nelson, newsreader): Shortly after October 5, 1986

 

 

VH#116. Video (TV Broadcast: CNN News Footage): October 6, 1986

 

 

VH#120. Video (TV Broadcast: CBS Evening News: Charles Osgood, reporter): December 15, 1986

 

 

VH#122. Video (TV Broadcast: NBC News): Shortly after December 15, 1986

 

 

VH#121. Video (TV Broadcast: NBC News: Richard Valeriani (sp?), reporter): December 16, 1986

 

 

VH#123. Video (TV Broadcast: CBS Morning News, New York): December 16, 1986

 

 

VH#74. Video (TV Broadcast: News Footage): December 1986: Carnegie Hall, New York City, New York (Live)

 

 

VH#76. Video (TV Broadcast: News Footage): 1987(?): Best Classical Album Award

 

 

Whether the source material used to compile these broadcasts has survived or not I don't know, but if it has there are some rather tantalizing videos locked up at TV archives around the world. These would include among other things complete recitals from Chicago 1977, Milan 1985, Carnegie Hall 1986, White House 1986, Amsterdam 1987 and others, rehearsals from Carnegie Hall 1985 & Moscow 1986, as well as many, many hours of videofootage made in Horowitz's home on December 26 1977 for the 60 Minutes show.

 

Speaking of rare videos by the way, there is also a commercially unreleased silent film from December 29, 1939 featuring excerpts from a benefit concert for the Chatham Square Music School in New York City. The film has various glimpses, including Toscanini conducting Leopold Mozart's Toy Symphony with a string section that includes Adolf Busch, Emanuel Feuermann, Josef Gingold, Jascha Heifetz, Frank Miller, Nathan Milstein, William Primrose (?), Oscar Schumsky & Alfred Wallenstein. Horowitz appears briefly in the film, playing the piano etc.

 

Thanks to a heroic feat of bravery from an enthusiast a while back an unreleased studio recording of the Bach/Busoni Toccata, Adagio & Fugue in C major (BWV 564) is in circulation among a few lucky collectors. This is labeled to be a RCA recording from "1942", but while RCA is completely correct the actual date of recording is October 9, 1950.

 

Because of a fellow collector who can't even spell to reliability some extracts from the Yale Recitals have leaked out to a few I'm sure widely smiling collectors. Among these extracts are Balakirev's Islamey, but ACHTUNG!! A fake copy of this work that's attributed to Horowitz is also in circulation.

 

Some more unreleased recordings from RCA's vaults have leaked out during the years and reached a few collectors. They are:

The dates for these are however highly questionable, with the exception of Mussorgsky. This in particular as RCA's logs show no record of having recorded most of these works during the given year. The Mussorgsky must be from 1947, but whether it is the unreleased May 15 recording or alternate takes (or for that matter, issued takes) of the commercial release still needs to be looked up.

 

There are live recordings from the early 1950s of the 2nd movement from Bach's F minor Concerto as well as his Chorale Prelude "Nun freut euch, lieben Christen" (BWV 734) in circulation that have been attributed to Horowitz. The actual pianist is yet to be identified, but it is sadly not Horowitz playing.

 

A pirate recording marked "December 14, 1968" have circulated for quite a few years now. According to CBS however, who also recorded this recital professionally, the actual date was December 15.

 

Two unedited recording sessions where Horowitz plays extracts from Chopin's Op.10 No.4 Etude and the 3rd movement from Beethoven's Waldstein Sonata have leaked out and are in general circulation among collectors. They both stem from the early 1970s, but no one seem to know exactly from which session. An educated guess however would be that the Beethoven one is taken from December 20, 1972 and Chopin either from February 8 or February 15 1973 - both recorded for CBS in their 30th Street Studio in New York City.
Two versions of the Beethoven session circulates however - one of them has some 2 minutes more material than the other.

 

The pirate recording of Horowitz's Bloomington 1975 recital is generally labeled as being from "October 25". A photocopy of a ticketstub from the recital says something else however - October 26.

 

On October 9, 1977 Horowitz gave a recital in Ann Arbor, Michigan, and many people have a pirate recording of this recital marked either "October 10, 1977" or "October 3, 1977". Both these are in fact two different recordings of the same concert - a concert that was held neither on October 3 or October 10, but on October 9. Update your lists everyone!

 

Although many rehearsals, warm-ups and other practise sessions have been recorded with Horowitz over the years both professionally and by amateurs, only two have reached general circulation among collectors as far as I know - the February 25 1978 rehearsal for the White House recital the following day, and the semi-public April 18 1986 rehearsal at the Moscow Conservatory.

 

The recording of Horowitz's November 16 1980 concert in Rochester also circulates under a false date, namely "November 15, 1982". But don't get fooled! This is nothing but the Nov.16 1980 recital in equally horrible sound. By one reason or another, there doesn't seem to be any preserved concerts from the fall of 1982 unfortunately.

 

A pirate recording of a recital in Philadelphia marked "May 1983" circulates among enthusiasts - Horowitz gave no recital in Philadelphia in May 1983, and the actual date for this recording is March 20, 1983.

 

The pirate recording of Horowitz's first Paris recital in 1985 is at times found labeled as being from "October 20, 1985". This date is wrong. Horowitz had only been in Paris for two days then and were enjoying the city all he could at the time. His first recital in Paris wasn't scheduled until October 26, and THAT is the correct date for the "October 20, 1985" pirate.






Many thanks to Caine Alder & Robert McAlear for their corrections & additions to the unreleased commercial recording sessions, and thanks also to Caine for the patience to answer all questions I've put in front of him lately.

 

Copyright © 2003 Christian Johansson